Friday, 24 July 2015

Drama in Learning...

And I thought my life was already full of drama!

From racing car drivers...

to a ballerina and a firefighter!












Drama is a powerful tool that should be used in everyday pedagogy and to enhance socio-cultural experiences (Bird, Donelan, Freebody, O'Toole and Sinclair, 2012, p. 67).

The importance of the element time in drama resonated with me this week. On the surface this seems like an element that may not be as critical as focus, mood and contrast. Time includes time spent ensuring students feel trust, confidence and mutual regard for each other, time for skills, techniques and understanding to develop, time spent establishing a safe environment for the activity to take place in, and time for the activity to take place without being rushed or sacrificing reflection (Bird et al., 2012. p. 49). Time is critical in drama for success!

In considering the use of drama strategies in everyday curriculum I thought of the picture book King Pig by Nick Bland which explores the themes of power, leadership, friendship and identity. 


Some of strategies I would like to use with King Pig include:
  • conscience alley used to explore the dilemma for little sheep to remain loyal to King Pig,
  • role play where the teacher and students could all 'step in to the role' to explore the moral issue of how King Pig treats the sheep,
  • role on wall where the students write key words and phrases on to a large outline of a pig and sheep describing them, and
  • hot seating where King Pig is questioned by the sheep about his behaviour towards them.
Drama strategies seem to lend themselves to literacy concepts and I can see a clear connection and relationship between them. Though I have been surprised (and delighted!) to also find some fantastic examples of how drama could be incorporated in other curriculum topics such as numeracy:
In reading more about drama strategies I came across the Drama Resource website by David Farmer. I think this a really valuable resource for implementing drama strategies. 


References:

Bird, J., Donelan, K., Freebody, K., O'Toole, J. & Sinclair, C. (2012). Drama: Social dreaming in the 21st Century. In C. Sinclair, N. Jeannert & J. O'Toole (Eds), Education in the arts. Melbourne, VIC: Oxford University Press.

Bland, N. (2013). King Pig. Lindfield, NSW: Scholastic Press.

Farmer, D (n.d.). Drama Resource. Retrieved 22 July 2015 from http://dramaresource.com


1 comment:

  1. Hi Rachael,
    I really relate to your point about the 'investment' of time within the class context as a prelude to using drama in teaching and learning rather than simply 'launching in'. I think this would help ameliorate nerves and discomfort particularly for students not accultured or accustomed to that kind of format.The use of masks and puppets also makes sense. Though I was intrigued by maths and drama I think I am most looking forward to exploring it through literature: thanks for your insights regarding King Pig.
    Vikki
    P.S. By the way, it doesn't seem that our children have any issues with role play!

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